Soderbergh Supplies Sleepy Side Effects

Endgame Entertainment presents Side Effects

Struggling with an intense, disruptive depression following the incarceration of her husband (Channing Tatum), Emily Taylor (Rooney Mara) turns to therapy and medication.  After prescriptions of Zoloft leave her numb and sexually ambivalent, her doctor, Johnathan Banks (Jude Law) consults with Emily’s previous doctor, Victoria Siebert (Catherine Zeta-Jones).  She turns Banks onto a new drug called Ablixa.

Emily begins experiencing parasomnia and a slew of other Ablixa-related side effects.  Banks fails to see and react to these potentially dangerous signs and, one evening, Emily kills her husband in a parasomniac episode.

Director Steven Soderbergh’s Side Effects asks, “who’s really to blame?”

Endgame Entertainment presents Side Effects

At first blush, Side Effects wants its audience to blame pharma-psychology, the act of medicating, rather than learning to cope, with what ails us.  Even the beginning of the film projects a sort of haze-inducing numbness, both about the environment in which we find Emily and her overall well being.

Measured camerawork and longer than normal shots lend themselves to Side Effects overall sense of being trapped in a fog, where time is meaningless, and from which the entire cast of characters must struggle to free themselves.

But, this barely begins to scrape the surface of Side Effects and what Soderbergh hopes to achieve.   Part drama, part psychological thriller, Side Effects wants to keep its audience guessing, but is it seductive enough to keep you interested?

Endgame Entertainment presents Side Effects


Performances by Rooney Mara (The Girl with the Dragon Tattoo) and Jude Law are fleshy and mesmerizing.  It’s difficult to take your eyes of Mara and the fragility she imparts in Emily, especially during the first half of the film, when the story leads her down a very dark, vacuum-tight path from which she sees no escape.

Stylish, provocative, and ultimately satisfying Side Effects is penned by Scott Z. Burns (Contagion) and features a dreamy, if not noticeable, score by the prolific Thomas Newman.

Endgame Entertainment presents Side Effects

I won’t reveal any spoilers here, and I probably won’t need to.  Side Effects is not entirely unpredictable in execution, but is well worth the price of admission, if only for the scenes between Mara and Zeta-Jones.  Well paced with a healthy rhythm to its storytelling, Side Effects will illicit different responses from everyone, but it’s hard to imagine boredom among them.

Check out the Trailer:

Cast Interviews with Rooney Mara, Jude Law, Channing Tatum:

Published by C. L. Taylor

C.L. is a BIPOC, LGBTQ+ artist & writer who pushes pixels and slings ink in her 9 to 5. She's a content producer's content producer, who's ready, willing, and able to throw down anything from illustration to animation, UI/UX design, and copy. If you want it to sparkle, evoke, or convey a story, chances are C. L. can help! Her short fiction has earned first place in category and honorable mentions in the NYCMidnight short story, micro fiction, and flash fiction contests, and has appeared in Typehouse Literary Magazine, Kaaterskill Basin Literary Journal, and anthologies by Brisk Publications and Alyson Publications. Her poetry will appear in the upcoming October issue of Versification. In her spare time, C. L. chases mindfulness and often falls asleep in savasana pose. You can catch up with her on Twitter: @ctaylor and Instagram:

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