Beautiful Creatures of the Deep South

Beautiful Creatures

Life in small town Gatlin is a dead end affair for generations of its inhabitants, including Ethan Wate (Alden Ehrenreich), until a mysterious raven haired 15-year old girl named Lena Duchannes (Alice Englert) rolls into town.  Counting the days until her 16th birthday when she, and her supernatural powers, will be claimed for the light or the dark, Ethan and Lena struggle to ensure she won’t fall into the dark clutches of her mother, Sarafine (Emma Thompson).

Also starring Jeremy Irons as Macon, Lena’s uncle, Emmy Rossum as Ridley, Lena’s cousin, and Viola Davis as the seer, Amma, Beautiful Creatures was directed and adapted for the screen by Richard LaGravenese.

Boasting an amazing existing fanbase thanks to the bestselling books by Kami Garcia and Margaret Stohl, the film adaptation of Beautiful Creatures is definitely orchestrated to appeal to a certain crowd.  But, is it just another in a long stream of fantastic, superficial teenage romances or does Beautiful Creatures aspire to something greater?

Jam-packed with themes and settings that could be thought provoking (Ethan is a banned-book junkie, reading Vonnegut, Miller, Salinger), inspiring, and empowering for a new generation, Beautiful Creatures is a flat, safe, and lackluster film.

Featuring performances from Emma Thompson, Jeremy Irons, and Viola Davis, Beautiful Creatures is an unfortunate collaboration for the trio of gifted actors.  While some of us will enjoy the over-the-top Southern accents and performances of Thompson and Irons, others will find them grating and forced especially coming from two Academy Award winning actors.

For me, Thompson – in any incarnation – is enough to warrant a ticket price.  At least, for now.

Curses, witchcraft, religion, forbidden romance, oh my!  Even as the days wane before Lena will be “claimed”, there is never a real sense of danger, the tension never builds, and even though you see Emmy Rossum’s Ridley force a police officer off the road so she won’t be pulled over for speeding (from which the officer presumably dies), you never really fear Lena being taken by the dark.  It’s unfortunate, too.  After 2+ hours watching the events unfold, the final showdown hardly feels, well … final.

Beautiful Creatures waffles between its many diatribes, simultaneously asking its audience to aspire to be something other than what they are destined to be while condemning Lena to face her fate all because of some 160+ year old family curse.

Like the characters whose struggles it portrays, Beautiful Creatures is a film that tries too hard to be something it cannot be.

Published by C. L. Taylor

C.L. is a BIPOC, LGBTQ+ artist & writer who pushes pixels and slings ink in her 9 to 5. She's a content producer's content producer, who's ready, willing, and able to throw down anything from illustration to animation, UI/UX design, and copy. If you want it to sparkle, evoke, or convey a story, chances are C. L. can help! Her short fiction has earned first place in category and honorable mentions in the NYCMidnight short story, micro fiction, and flash fiction contests, and has appeared in Typehouse Literary Magazine, Kaaterskill Basin Literary Journal, and anthologies by Brisk Publications and Alyson Publications. Her poetry will appear in the upcoming October issue of Versification. In her spare time, C. L. chases mindfulness and often falls asleep in savasana pose. You can catch up with her on Twitter: @ctaylor and Instagram:

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