Many music enthusiasts have that one ‘personal’ band which they take pride in knowing. It’s the hipster culture of modern music, but the then again there’s always been pretentious music snobs. A band I’ve been following since their beginnings is a renown Portland indie rock, indie pop band named Typhoon. The monster 11 piece orchestra group has masked the airwaves with their unique flowing masterpieces. Their 2010 album, Hunger & Thirst, is an epic album that compares to Arcade Fire’s Funeral except without the reception from critics. White Lighter was released back on August 20th, but I’ve decided to take some time to really let this album sink in.
Before listening to this album, I was super skeptical. It’s only natural to assume that a follow-up album can’t match it’s predecessor, but I was completely false. To sum up this review, White Lighter is brilliant on so many levels. From the beginning, Typhoon gives listeners a glimpse of what to expect for the album with “Artificial Light”. The beautiful notes chime away until the signature voice of Kyle Morton, who should be watched for in years to become.
Typhoon has a quasi-post-rock sound going on, as their dynamic flows so smoothly from song to song. “Young Fathers” is a highlight to album, but it’s very noticeable that this song does have a single feel. No other song had that on Hunger & Thirst, but what makes this album better is how it stays to a steady theme. Kyle Morton suffered from a Lyme Disease as a child, which almost killed him and the concept of desperation and mortality surrounds White Lighter heavily. These tracks are like Mortan’s deathbed prayers, but luckily he’s made it through to put it into wonderful songs.
The sound of desperation is perfected on “Possible Deaths”. The steady kick drum and wonderful hook displays a vivid image that the listener can morph, but everyone will all have the similar theme. Just such great ideas are shaped into amazing manipulation of emotion in these 46 minutes of expression. “Dreams of Cannibalism” follows a standard Typhoon outline, but it’s on par with “Belly of the Cave” for best Typhoon track. Mortan lays down the best example of songwriting the album’s heard on the final two stanza’s with, “I fled the country
I thought I’d leave this behind / but I built the same damn house / on every acre I could find / And I tried to fake my own death just to shake the devils from my mind.” It’s simply magic what they put together.
What get’s me after every Typhoon release is the energy and strength of every song they put out. “One Hundred Years” starts with a blaring horn section over top intense drums. “Common Sentiments” feels more like a swaying rock track, but the originally they spin into it creates such a strong, beautiful aesthetic. What all these songs have in common is amazing instrumentation. Oh, how Typhoon perfects the crescendos! I cannot describe into words the true beauty of these dynamics. White Lighter is an album that blew me out of my chair. Although I should have expected to hear something amazing, I’m constantly amazed by Typhoon’s ability to create music. The melodies, the lyrics, the chemistry between members, the instrumentation, the songs! It’s all here packed into one album that sadly doesn’t stand out in record sales. Do yourself a favor and listen immediately. You won’t regret it.