From the beginning of “Side A”, it’s obvious that Danny Brown has changed. Since his 2011 release, XXX, Danny has reached some major ups and downs. His unique character of being Detroit’s King Pin in rap has been hidden by the fact that he isn’t a usual player in the modern rap game. Compared to fellow Detroit-ee, Big Sean, Danny resembles someone who has just escaped a psych ward. His gap-toothed, psychotic smile was a clear influence for the infamous Miley Cyrus tongue flair that she seems to flaunt at every opportunity. From an outsiders view, Danny Brown is the devil of hip-hop today.
Old doesn’t play out like XXX. From the beginning, Danny raps about how people keep asking to change back to his older style, but in reality, Danny isn’t interested in it. He wants to keep the ball rolling and stay on top of his game. The idea does make sense; why play safe in a genre where playing safe creates losers. Danny isn’t about staying within the realms of his peers. He’s outlandish, crude, original, and honest, but his approach to compacting all these different ideas strays from traditional values in rap. While XXX presented a wild and dirty side to Danny, he’s taken more of an aggressive and louder approach on Old.
He’s lucky enough to have the likes of Freddie Gibbs, Schoolboy Q, Charli XCX, A$AP Rocky, and surprisingly Purity Ring make appearances on this album. The Purity Ring feature was the most shocking, considering that they pretty much take over the track and make it a Danny Brown feature (“25 Bucks”). Old does impress with production. He still wants the raw sound to be forefront, but his music does have a trap influence this time around. Lyrically, Danny is all about reacting to the fame. He’s struggled with handling money, attention, and the whole celebrity life, and it’s clearer than ever on Old. “Clean Up” talks about how he feels guilty for spending money on clothes, because he’s fall victim to consumerism. It’s a great perspective from someone who generally give a detailed description of his drug and sex life.
Danny doesn’t waste anytime here. All 19 songs are concise, and to the point. The features feel useful, with the exception of Charli XCX, who’s contribution could have been done by any female vocalist. I won’t lie, her name does give the song that extra push for the ‘wow’ factor. These tracks flow generally well, minus “25 Bucks”, which includes the unique Purity Ring sound. You can imagine how the sleek production contrasts a lot of the typical Danny Brown production. Old does show the influence of Danny Brown in the industry. Being able to have that all-star lineup of features goes to show how far he’s come since XXX.
The second half (“Side B [Dope Song]” onward) is all party based, trap songs that actually stand out very well. They’re very enjoyable, but I can only take so much of Danny’s crude yelps. Old closes very well with “Float On”, which like most of the album, discusses the hardships of growing up in Detroit’s Linwood area. From food-stamps to crack cocaine, he’s seen it all. The disturbing imagery feels very real on his lyrics. He’s an underrated lyricist who knows how to really engage the listener on an album. Old provides better diversity than XXX, and feels like it’s the next logical step in his hopeful and fast-growing career. He’s on top of his game so far, but I wonder how much potential he has before he hits a wall. Right now, it’s better to dwell on a very solid album that deserves the respect of many.