I always find it amazing when I hear music that’s created in a bedroom studio. It always has a cozy, warm aesthetic that’s much more listenable than any other genre I find. Perfume Genius and Youth Lagoon have really captured the essence of bringing the music from the bedroom (or a friends) to life. With the release of the weird, but very good Wondrous Bughouse, I’ve felt the need to rekindle some of that lo-fi feel in my daily music listening. A musician that brings together this idea greatly is Candy Cigarettes.

 

Lane Mueller is a solo, self-taught musician out of Portland that has been releasing songs under the alias of Candy Cigarettes. Already playing in festivals around his hometown (The monstrous Kaleidoscope Festival in Eugene, Or), his deep baritone voice is rare to hear in the dream pop genre he’s playing. What makes him special as well is how he can jump from a Matt Berninger rumble to a Ben Gibbard, Postal Service, style of singing. Because of his smaller scale and bedroom feel, it’s obvious the quality cannot compete with some of the bigger players in the business, but it adds to the feel of his music. The tracks I listened to, “Tomorrow”, “Stockholm”, “Call Her Friend” and “My 45″ all fall under the same lo-fi sound, but are extremely different in their own qualities.

 

I’m torn between “Stockholm” and “Call Her Friend” as my personal favorite track from Mueller. It’s easy to tell what emotions he’s trying to convey from his diverse range of sound. “Stockholm” begins as a lonely, National influenced track that bursts into a riff resembling “Entertainment” by Phoenix. I hated that song on it’s own, but Mueller takes the idea of the riff, and creates it into a great ending for a sad, revealing track.

 

“Call Her Friend” was not a track I wanted to hear from the opening guitar riff. it’s too Garage Band like, but I gave it a chance and I found it to be Mueller’s most creative work. I hear an early Death Cab for Cutie influence, but with more desperation with the backing vocals droning off, leading into an outstanding electronic section. The song has so many different noises coming from different angles, but Mueller utilizes the silence of the chorus with the background vocals to create amazing tension and connection with the listener. I also found the bridge and fade out to be very solid, with the exception of the blues guitar that doesn’t fit. Nonetheless, great track.

 

“Tomorrow” was the song that I first heard, and it did really capture my attention. It’s the definition of bedroom music, and that’s not an insult in the slightest. I’m saddened by the fact that many people haven’t been introduced the Candy Cigarettes, or other bedroom artists of the same nature. Mueller’s bio describes himself as “Carved name amongst the elders of Portland’s highly proclaimed music scene”, and it makes scene. This track in particular has huge potential to be a radio hit with a bit of clean-up. My same comment goes as the blues guitar doesn’t fit the overall feel of Mueller’s music, but nonetheless it doesn’t detract from the great ideas.

 

Lane is among the many talented solo musicians who are striving to have their name heard. Some are pretty established, like Mueller, while others haven’t shown a single soul their creations. All we know is it can be a work of genius if we give it a chance. Thanks to the age of social media, we can experience the greatness of millions of musicians, and see their minds flow. Just listen to “Weary Is”, and tell me the closing piano notes don’t make you feel something special. Candy Cigarettes, much like Washed Out, is a unique project that only needs that single opportunity, and at 21, Lane Mueller will be given many.

 

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