So as the dust has sort of settled with the release of the new single, “Reflektor”, I can honestly say I enjoyed it a lot. At first, I hated it. Then, I disliked it. Following that I accepted in myself that it’s a great track. The shift in sound is very different compared to theContinue reading “What to expect from Arcade Fire on Reflektor”
Tag Archives: james
Underground Mondays: James Parenti
There’s always a subtle bit of emotion that goes along with simplicity. It’s a mixture of being able to get lost in the music, or the concentration is transferred over to the body of music and it’s purpose. We subconsciously dissect music to fit our state of mind, making connections to either help us orContinue reading “Underground Mondays: James Parenti”
Kanye West – Yeezus Review
There’s a lot to mention leading up to the sixth album released by the American rapper, Kanye West. The SNL performance, the birth of his first child, the world wide projections, the album artwork. West’s mind is all over the place. I’d also like to remind the public the importance of the album title itself; Yeezus.Continue reading “Kanye West – Yeezus Review”
James Blake tops his debut with Overgrown
I have a dark secret. Back in 2011, I skipped out on James Blake’s debut LP, James Blake, because of skepticism. That probably came from the uprising of bro-step, and another dubstep fad wasn’t something I was looking forward too. Months after it’s February of 2011 release, I decided to embark on a listen because of its astonishingContinue reading “James Blake tops his debut with Overgrown”
Mysterious folk-step samples arrives, asks questions about the future of music
The third wave of electronic music is upon us even if our minds deny its existence. While the early 2000’s brought us sounds of hip-hop and R&B artists in the top 40 and mainstream sounds, electronic music of diverse genres are making a major relapse once again. Notably, House and dub-step has taken great leapsContinue reading “Mysterious folk-step samples arrives, asks questions about the future of music”